Natsuko Yotsuya is a teenager and she is also known as Bon. She lives in a town and has a friend, Miyu-chan, who lives with her boyfriend in Tokyo. Miyu-chan though is abused by her boyfriend. To bring back her friend back, Natsuko and her childhood friend Rintaro Tomoda, also known as Lin, go to Tokyo together. With the help of a man, who they met through an internet forum for "boys’ love" manga fans, they head to Miyu-chan's house.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Buenos Aires is invaded by the living-dead.

Dan NiraLai, an ex-detective from the Bravo Team- a secret government organization. Dan Niralai was pulled in to aid in unmasking an evil organization and taking down Prab Punyobat; a famous politician who had wrongly used his powers and is the person behind an international drug trafficking ring.

居住于柏林的中年女子Arabella与成长于深圳的青年男子Shu都是潮汕后裔，两人因基因检测相逢。基于一张建筑照片和一个精确到村庙的地址，他们展开了漫长的书信往来。 　　寻找房子的过程并不顺利，但或许恰是因为过程的曲折和真相的不确切性，他们不知不觉把对话的内容转向了彼此，并基于有限的记忆和父辈的描述对一些素未谋面的人群和地方的展开想像，在同一片土地上的今日和往昔来回穿行。 　　C是一名建筑学研究者，他拿到了这些邮件。过去的一段时间里，他步履不停地游走在Arabella和Shu渴望抵达的土地上。很显然，他看见甚至触碰到了信件中讨论的那些建筑、乡村和山海。他甚至帮他们找到了照片中的那栋建筑，找到了他们想像中和想像之外的一些人。但他始终处于无法辨识的时间中：一方面，在他的世界里，有下不完的雨，从未停歇的溪流；又有快被烈日晒干的大海，和南方吹来的季风。他被卡在这种亘古未变的循环当中。可另一方面，他又经历着看不见尽头的“事后状态”。在这些建筑上，整个20世纪的痕迹随处可见，细节避无可避地同时降落在眼前，他意识到自己的游荡和搜索也变成了某种中间态，与前人的痕迹相互溶解并一同成为了一束炽烈的目光。 　　在C所拍摄的影像中，有一个女人总在不经意间与他擦身而过。他跟随着那个女人走了很久，直到故事结束前，他突然停下了脚步，任由女人走远。他知道，当荧幕暗下时，工作才刚刚开始。

A comedy about the relationship between a modern, shy, young man and the spirit of a violent knife-killer murdered in 1920. They make a pledge: the latter will tell the former what exists beyond death if he allows him to inhabit his body for a whole day. Thus, the ghost will go around an unrecognizable twenty first century Buenos Aires to uncover the causes of his own death.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Between Berlin and Buenos Aires. between love, life and family.

It follows Mariano Guerra as he returns to Argentina to testify against soldiers who tortured him during the dictatorship, focusing not on revenge but on his inner struggle with guilt, trauma, and the lasting psychological impact of violence kept largely off-screen.

The documentary registers with detail this first visit to Argentina. It's a meditation on the artistic and conceptual processes that Ai Weiwei needs to think of his art. The images dialogue between the director and his instagram, revealing an intimate side, close to the people.